Unfortunately, I was missing for the week 5 lecture. This week we visited the Irish Museum of Modern Art (IMMA) which is in Kilmainham, Dublin.

A picture of IMMA I took
Pieces:
The first piece that caught my attention was named “Death Drive,” by Alan Phelan. It consisted, literally of tire marks on a plywood board, varnished over. The artist achieves a great sense of texture through the tire marks which looked very authentic in my opinion. There are many lines criss crossing , inspired by the rubber burns left by “boy racers” during their illegal late night street races which take place on public roads. These busy lines give the feeling of unease and destruction, therefore making the title of the pieces appropriate and leaving the viewer with a good sense of what the piece is about; that being danger and destruction. The artist only uses the one colour on the plywood. The harsh black on the wood stands out and creates the effect of positive and negitive space.
This piece was an edition of 40 pieces and was created in 2009 as part of the IMMA’s residency programme. The piece is part of Alan Phelan’s collection entitled “Fragile Absolutes” which consists of 16 recent pieces by the Dublin born artist. It was situated in the Lower Eastwing Galleries and will be there from the 22nd of July to the 1st of November 2009. “Death Race” is inspired by the wrecklessness of car enthusiasts known as boy racers. He recreated the tire marks left after some of these burnout sessions.
I like this piece, it is very simple and relevant in today’s culture. Unfortunately, road deaths have become more frequent and part of Irish society. Therefore these tire marks represent danger to most of us which is why the piece initially caught my attetion. I completely understand what Alan Phelan was trying to achieve and I think he does so well.

Alan Phelan's Death Drive sketch
The next piece I enjoyed was named “Snowdrop,” by Irish artist William McKeown, this small piece contained a pencil drawn snowdrop in the right hand corner leaving massive amounts of negitive space. This huge space creates the feeling of peace and openess. The detailed drawing is almost translucent in texture, nearly disappearing onto the shocking white background. There is very little shading or pattern in this piece, we are presented with straight, simple lines and slow curves again emphasizing on the calm mood of the piece. McKeown captures the time of year a snowdrop grows in this piece, as the white background and grey of the pencil give a sense of coldness felt in early February.All focus is drawn towards the little snowdrop which is a very detailed drawing, surprisingly leaving plenty to look at.
This piece belongs to an exhibition of about 50 pieces, opened to the public in November 2008 which contains a selection of abstract paintings, aswell as watercolours on paper and a collection of pencil drawings of botanic subjects in order to caputure the flora of the artist’s home county, Tyrone here McKeown was born in 1962. The exhibition also contains a large number of new works which were only completed soon before the exhibition was opened.
Again, the simplicity of this piece makes it appealing to me. I get a good sense of the time of year the artist was trying to set as the backdrop for this snowdrop, I didn’t find it as interesting as Alan Phelan’s “Death Race,” but the piece wasn’t intended to be exciting. It is a peaceful and tranquil piece where I think the artist succeeds.

Sketch of William McKeown's Snowdrop
The final piece I liked is “Tarot Set” by artist Ula von Brandenburg. This is a collection of 79 different numbered tarot cards created in an old French style with Roman numerals. Each card had a unique image and the French term form the name of the card, for example “L’Hermite” for the hermit card. On each card there is drastic positive and negitive space. This is what makes the images stand out so much, looking almost like shadows which give these unique cards an eery sense of mystery.The colours follow the theme of the rest of her collection, this being vibrant reds,oranges,blues and of course black and white. This vibrance works well on the cards. In terms of line, all of the drawings are quite messy and colour filled. However I think this works better for the cards, as I feel intricate, detailed drawings would look too modern and percise, therefore ruining the theme the artist has gone for.
This piece was created for the German artist’s first exhibition in the IMMA. There is decks of these cards for sale each numbered and signed by the artist herself.They are presented in a special hand made box designed by Ula von Brandenburg.There are only fifty of these unique decks.The intention of this exhibition was to capture historical themes and mix them with the visual arts.
This piece was very different compared to all the others, the main reason being it’s a deck of cards. The display itself stood out as it was the only piece not hung on the wall in the room which instantly caught my attention. I don’t quite understand what the artist was going for, or what message she was trying to pass.I just find the whole piece very interesting and mysterious.

Ula von Brandenburg's Tarot Cards sketch
My experience of the Irish Museum of Modern Art:
My overall experience of the IMMA was generally positive. There was many pieces I didn’t understand or there were pieces that I found fairly pointless. Another criticism would be the fact there were not many exhibitions in the museum. The building itself was brilliant looking and laid out well, during my photography assignment I spent alot of time in the garden area which was very nice. I would not see myself visiting the museum outside of college work but I am glad I have attended the field trip as it was my first visit to a modern art museum and now I know what they consist of. My initial idea of a modern museum was ridiculous art pieces and splashes of paint on canvas, thankfully that was not what I experienced.
Aaron McGrath